But what makes their part so exciting are the fast, syncopated 16th notes. We've added a dramatic bass figure, played in unison by the trombones, cellos and timpani. The most obvious change is in the instrumentation. The mood is now very agitated and excited. Let's take our musical examples one step further. They are through melody, harmony, rhythm and orchestration. There are four basic ways to create moods in music. Basically, film scoring is about providing the proper emotional support for the film. This is the essence of film scoring'"using music to either enhance the mood or to create a new mood. Now take that same C minor chord, and this time when you repeat it several times, hold each chord for two beats at a very slow tempo and at a soft volume. Something is happening'"or is about to happen. You immediately create an attention grabbing moment. Now take that C minor chord, and instead of holding the duration for a few seconds, repeat it many times very quickly at a loud tempo. ![]() Now if you were to play a C minor chord, you would create a sad mood, or at the very least, a contemplative mood. If you play and hold a C major chord on the piano, at a moderate volume, you immediately establish a happy mood'"or at the very least, a content mood. So once you understand how to create moods and emotions in music, you're well on your way to becoming a film composer. ![]() You just need to understand how moods are created in music.įilm scoring is all about establishing moods and reinforcing emotions. But in truth, you don't need to be a magician. To many musicians, being a film composer might seem like an impossible dream, a goal accessible to only those special few magicians who can conjure up any musical mood or emotion at a moments notice.
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